Hollywood historiography theses on the philosophy of Hollywood history‎,‎ Murray Smith‎;‎ ‎"‎Nobody Knows Everything‎"‎ ‎- post‎-classical historiographies and consolidated entertainment‎,‎ Richard Maltby‎;‎ economics‎,‎ industry‎,‎ and institutions Hollywood corporate business practice and periodizing contemporary film history‎,‎ Douglas Gomery‎;‎ ‎"‎A Major Presence in All of the World Markets‎"‎ ‎- the globalization of Hollywood in the 1990s‎,‎ Tino Balio‎;‎ the formation of the ‎"‎Major Independent‎"‎ ‎- Miramax‎,‎ New Line‎,‎ and the New Hollywood‎,‎ Justin Wyatt‎;‎ to the rear of the back end ‎- the economics of independent cinema‎,‎ James Shamus‎;‎ aesthetics and technology from ‎"‎Bwana Devil‎"‎ to ‎"‎Batman Forever‎"‎ ‎- technology in contemporary Hollywood cinema‎,‎ Mike Allan‎;‎ widescreen composition in the age of television‎,‎ Steve Neale‎;‎ the classical score forever‎?‎ ‎- ‎"‎Batman‎"‎‎,‎ ‎"‎Batman Forever‎"‎ and Post‎-classical film music‎,‎ Kevin Donnelly‎;‎ a cry in the dark ‎- the role of post‎-classical film sound‎,‎ Gianluca Sergi‎;‎ a close encounter‎.‎‎.‎‎.‎