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Dara Birnbaum : Technology/Transformation: Wonder Woman

184 ج.م. Out of stock

* Format‎:‎ Paperback * Number of Pages‎:‎ 118 pages * Dimensions‎:‎ 148 x 206 x 12mm * Weight‎:‎ 281.23g * Publication date‎:‎ 29 Oct 2010 * Publisher‎:‎ Afterall Publishing Opening with a prolonged salvo of fiery explosions accompanied by the warning cry of a siren‎,‎ Dara Birnbaum‎'‎s video Technology/Transformation‎:‎ Wonder Woman ‎(‎1978‎-‎-79‎)‎ is a concise‎,‎ action‎-packed‎,‎ and visually riveting video‎.‎ ... المزيد عند جوميا

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  • أفضل سعر لـ Dara Birnbaum : Technology/Transformation: Wonder Woman من جوميا فى مصر هو 184 ج.م.
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    دفع عند الاستلامبطاقة ائتمانيةالدفع البديل
  • تكلفة التوصيل هى 15 ج.م., والتوصيل فى خلال 2-5 أيام
  • أول ظهور لهذا المنتج كان فى مارس 13, 2016

المواصفات الفنية

  • SKU:

    JU030BKAJBF1NAFAMZ

  • Model:

    9781846380679

  • Author:

    T Demos

وصف جوميا

  • Format‎:‎ Paperback
  • Number of Pages‎:‎ 118 pages
  • Dimensions‎:‎ 148 x 206 x 12mm
  • Weight‎:‎ 281.23g
  • Publication date‎:‎ 29 Oct 2010
  • Publisher‎:‎ Afterall Publishing

Opening with a prolonged salvo of fiery explosions accompanied by the warning cry of a siren‎,‎ Dara Birnbaum‎'‎s video Technology/Transformation‎:‎ Wonder Woman ‎(‎1978‎-‎-79‎)‎ is a concise‎,‎ action‎-packed‎,‎ and visually riveting video‎.‎ During its seven‎-minute span we see‎,‎ again and again‎,‎ the transformation of the drab secretary Diana Prince into the super‎-heroic Wonder Woman‎.‎ By isolating and repeating the moment of transformation‎-‎-spinning figure‎,‎ arms outstretched‎-‎-Birnbaum unmasks the technology at the heart of the metamorphosis‎.‎ In this illustrated examination of Birnbaum‎'‎s video‎,‎ T‎.‎ J‎.‎ Demos situates it in its historical context‎-‎-among other developments in postmodernist appropriation‎,‎ media analysis‎,‎ and feminist politics‎-‎-and explores the artist‎'‎s pioneering attempts to open up the transformative abilities of video as a medium‎.‎ Demos examines Birnbaum‎'‎s influence on such artists as Douglas Gordon‎,‎ Pierre Huyghe‎,‎ Philippe Parreno‎,‎ and Candice Breitz‎,‎ and the turn toward "postproduction procedures"‎-‎-the mobilization of existing imagery for innovative uses‎.‎ He also reveals a fascinating historical shift in the reception of Birnbaum‎'‎s work‎:‎ a move from an emphasis on her deconstruction of mass culture ideology to an appreciation of her creative use of consumer imagery‎.‎

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