In 1984, there was Coco, that sumptuous blend of wood, resins, flowers, spices and fruit. A treasure trove of splendours and an endless source of discovery and sensual delight. Then, in 2001, came Coco Mademoiselle, a breath of air that lightens this cornucopia of fragrance, in which everything is

In 1984, there was Coco, that sumptuous blend of wood, resins, flowers, spices and fruit. A treasure trove of splendours and an endless source of discovery and sensual delight. Then, in 2001, came Coco Mademoiselle, a breath of air that lightens this cornucopia of fragrance, in which everything is simplified and accelerated in a radiant burst of fruit and flower. And today there is Coco Noir, a great nocturnal Baroque. Another journey in the wake of a Gabrielle who fully embraced the dazzle of black and Venice, incorporating them not only into her creations but into her life.